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2017 ARSC Awards for Excellence in Historical Recorded Sound Research

The Association for Recorded Sound Collections is pleased to announce the winners of the 2017 ARSC Awards for Excellence in Historical Recorded Sound Research. The awards will be presented at a ceremony at ARSC's 2018 annual conference. Additional information about the ARSC Conference and the ARSC Awards for Excellence may be found on the association's website.

Begun in 1991, the ARSC Awards for Excellence are awarded to authors of books, articles, or recording liner notes to recognize those publishing the very best work today in recorded sound research. In giving these awards, ARSC recognizes the contributions of these individuals, aims to encourage others to emulate their high standards, and hopes to promote readership of their work. Two awards are presented annually in each category for Best History and Best Discography, and others are acknowledged with Certificates of Merit. Awards are presented to both the authors and publishers of winning publications.

The 2017 Awards for Excellence honor works published in 2016.

Best Historical Research in Recorded Rock Music ]

Best History Best Discography
 

 

Lonely Boy: Tales from a Sex Pistol
by Steve Jones with Ben Thompson
(Da Capo)


The Immediate Discography: The First 20 Years
by Mark Jones
(The Record Press/lulu.com)

 

Certificate of Merit



Never Say No to A Rock Star: In the Studio with Dylan, Sinatra, Jagger and More…
by Glenn Berger
(Schaffner Press)




Best Historical Research in Recorded Popular Music ]

Best History Best Discography  


by John W. Troutman
(University of North Carolina Press)


by Douglas E. Friedman
(self-published)

Certificate of Merit


by Don M. Randel, Matthew Shaftel, and Susan Forscher Weiss
(University of Illinois Press)



Best Historical Research in Recorded Jazz Music ]

Best History Certificate of Merit  


Whisper Not: The Autobiography of Benny Golson
by Benny Golson and Jim Merod
(Temple University Press)


by John Wriggle
(University of Illinois Press)


Best Historical Research in Recorded Country Music ]

Best History Best Discography


by Bill Anderson and Peter Michael Cooper
(University of Georgia Press)


The Knoxville Sessions, 1929-1930: Knox County Stomp
by Ted Olson and Tony Russell
(Bear Family Records)


Certificate of Merit


by Penny Parsons
(University of Illinois Press)




[ Best Historical Research in Recorded Roots, Folk, or World Music ]

Best History
 


by Bernard McMahon, Allison McGourty and Elijah Wald
(Touchstone)




[ Best Historical Research in Blues, Gospel, Soul, or R&B Music ]

Best History Best Discography  


by Bill Dahl
(University of Chicago Press)


by Ed Ward
(Chicago Review Press)
 
Certificate of Merit Certificate of Merit
Certificate of Merit


by Martin Hawkins
(LSU Press)


Waxing the Gospel: Mass Evangelism & the Phonograph, 1890-1900
by Richard Martin
(Archeophone)


Race Records and the American Recording Industry, 1919-1945: An Illustrated History
by Allan Sutton
(Mainspring Press)


[ Best Historical Research in Recorded Classical Music ]

Best History Certificate of Merit
 


by Raymond Holden
(Barbirolli Society, in association with the Royal Academy of Music)


Performing Life: The Story of Ruth Posselt, American Violinist
by Diana Lewis Burgin
(University of Massachusetts Press)

 


[ Best Historical Research on General Recording Topics ] 

Best History Best Discography  
by Jace Clayton (aka DJ Rupture)
(Farrar, Straus & Giroux)
by Thomas Balacco
(Thomas Balacco; Hardshell Publishing)
 
Certificate of Merit Certificate of Merit  
by Gabriel Gössel and Filip Šír
(The Moravian Library)
by Matthew Rubery
(Harvard University Press)
 

[ Best Historical Research on Record Labels ] 


Best History Best Discography
 
by Richard Carlin
(University Press of Mississippi)
by Michael Kinnear
(Bajakhana)
 
Certificate of Merit Certificate of Merit Certificate of Merit
by Peter Adamson
For the Record: The Journal of The City of London
Phonograph and Gramophone Society
56: 448-456; 59: 147-156; 60: 206-213
Henry Sapoznik and Richard Martin with the assistance of Mayrent Institute for Yiddish Culture and the Mills Music Library at the University of Wisconsin-Madison
(Archeophone)
by Adam White, Barney Ales, and Andrew Loog Oldham
(Thames & Hudson)


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